books about dystopia – Equal Opportunity Reader

[REVIEW] Camp Zero, by Michelle Min Sterling

The Kindle cover of Camp Zero, depicting a close-up image of an Asian woman's face surrounded by parka hood with the title overlaid, sits next to a cocktail on a wooden table.

(Buy this book here.) Mixed feelings, thy name is Camp Zero. The writing is beautiful and tight. Sterling has clearly studied the craft in depth and the book has a technical precision to it that’s really admirable. There were many times in this book when I read a sentence and thought “wow, that’s a beautiful/sharp/movingContinue reading “[REVIEW] Camp Zero, by Michelle Min Sterling”

[REVIEW] Tender Is The Flesh, by Agustina Bazterrica, translated by Susan Moses

(Buy this book here.) (This book is one long content warning. If you’re sensitive to violence or gore, don’t read it or this review.) This book is disgusting. Let’s just start there. No, really. This Argentinian dystopian horror takes place in a very near future where it’s become impossible to eat animal meat due toContinue reading “[REVIEW] Tender Is The Flesh, by Agustina Bazterrica, translated by Susan Moses”

[REVIEW] Parable of the Sower: A Graphic Novel Adaptation, original text by Octavia Butler, adapted by Damian Duffy, illustrated by John Jennings

A Black woman's hand holds a tablet displaying the orange cover of Parable of the Sower in front of a speeding train window, passing by a grassy field. The book cover depicts a Black teenaged girl with long dreadlocks, half her face hidden, standing in front of stylized flames and mountains.

(Buy it on Bookshop here.) I just moved back to America, and man, it is weird. Watching the news from America in preparation for my return sometimes felt like watching a large angry monster run towards a cliff with someone you love strapped to their back, screaming. I haven’t lived in my country for 15Continue reading “[REVIEW] Parable of the Sower: A Graphic Novel Adaptation, original text by Octavia Butler, adapted by Damian Duffy, illustrated by John Jennings”